Multi-day event coverage, beauty shots of the build, and the short-form cuts that travel, captured on location by a small senior team, delivered as your asset from frame one.
Most production teams hand you a folder of frames and a deliverable date. We treat every shoot as the start of a portfolio: the kind of work that lives on your site, in your decks, and in your partner’s next pitch. The difference shows up in the frame, then in everything that uses it.
Pre-pro that respects your timeline. Shot list, look and feel, references, and deliverable spec, locked before we travel.
On-site, multi-day where needed. Photo and video from a small senior team that knows trade show floors, install schedules, and how brands actually look under bad lighting.
Selects, color, motion edits, and social cuts. Hero frames, gallery sets, and short-form delivered in the formats your channels need.
Cloud-delivered originals, organized for retrieval. Full usage rights from frame one. Every file is yours, forever.
Frames that win the next pitch, for your team or your partner’s.
Social-ready cuts that travel without re-editing.
Brand moments captured the way your audience will remember them.
Aston Martin × F1 Fan Fest Miami
T-Mobile × F1 Las Vegas
Two Eighteen × Bounty
Two Eighteen × Coreweave
Power Electronics
Two Eighteen × Coreweave
West Coast Exhibit × Medicom Toy
Every photo and video engagement is scoped to your event, your deliverable load, and your team. À la carte single shoots, multi-event retainers, and partner-of-record arrangements, all available. Book a discovery call for a tailored quote.
Working together
Every engagement runs better or worse depending on four things, and none of them is money. Worth knowing before you start rather than halfway through.
Show weeks concentrate demand across the whole industry. Crew availability and a proper planning window both go to whoever books first.
Shoots change. A booth runs late, a talent slot moves, the light does something better than planned. One person with authority on the floor is worth more than a locked shot list.
A press release, a sales deck and a website hero need different frames. Tell us the destination and we shoot for it rather than shooting broadly and hoping.
Venue rules, talent releases, anything a client brand needs to approve. These are quick if handled early and project-ending if handled late.
Most events are 2 to 4 days on-site. We scope based on coverage needs, build complexity, and deliverable load, and pre-pro happens well before we travel.
You do. Always. Full usage rights from frame one. No licensing tiers, no expiration windows. Originals delivered with web-optimized derivatives, organized for retrieval.
Both. À la carte single shoots for one-off activations, multi-event retainers for brands with an active calendar, and partner-of-record arrangements for exhibit and experiential agencies.
Yes. Hero stills, gallery sets, brand films, and short-form edits in the formats your channels need, delivered as part of the engagement, not bolted on after.
Selects within 48 hours of wrap. Final color and motion edits scoped to your launch timeline. We work backwards from the date you need the asset live.
Yes. We fly full crews nationwide and have shot everywhere from Las Vegas and Miami to showrooms in Japan. Travel is quoted with the project so there are no surprises, and we bring an editing setup with us when the schedule calls for same-day delivery.
Edited stills, video, and social cuts, delivered in a library organized so your team can still find the right frame a year later. The goal is an asset you keep drawing on for campaigns, sales decks and the website, not a gallery everyone looks at once and forgets.
Yes, and it is worth the extra day. Install gives you clean, uncrowded frames of the booth that are impossible to get once the floor opens and the aisles fill. Those are usually the images that end up on your website.
As soon as you have dates. Trade show weeks concentrate demand across the whole industry, so crew availability and the good planning window both go to whoever books first. Late bookings are possible, they are just more expensive and less considered.
Book a 30-minute discovery call. We’ll listen first, then tell you honestly whether the shoot, scope, and timeline make sense.
